Amal is only a green girl who emerged from the ashes of a homeland in a Phoenician nest a long time ago. Fates brought her onto a slope of a moment that burns with impossible dreams in a tumult of darkness that flourishes with tragedies. She is still devoting her life to chastity, playing on the flute of her hoarse sadness her cloudy radiances, and still swaying on the edges of a holy drop that is brimful with the pulse of a beam that is called "life!"
She fell in love with music and singing; she learned how to play the violin when the fingers of her childhood bloomed on the strings and musical scales. The school songs and hymns dallied with her throat, which chanted with the school chorus till her presence was donned with compulsory absence for years only to reappear in the choral of the Palestinian Jawqat al-Karawan / The Cuckoo Chorus!
Her matured feet fell deeply in love with the heritage of folk dancing; her sea steps had a watery flavor that dance with the shadows of a youth that is filled with elegance in a Dabka folk dancing group, in addition to scout activities and many other activities that fill a soul of a young girl that jumps voraciously to life!
As for the taste of extensive reading and stories and novels, there have been flights of desire that land on her breaths to the level of Sufism and worship since her eyes were connected with the ladders of letter decoding; the hidden pen in her pants and under her pillow has had a clank that talks to her whenever the drizzle of its pulse decreased in its whiteness; it would open its fiery mouth, drawling its magic, as if it urged her to embrace it whenever the places became narrow for it, and whenever it became thirsty to her wine. She would fly with it in the heavens of her floods; when she sobers up, she would tear what she had written and the threads that she has woven out of her passion to erase every trace that allows the other to realize what is boiling in her soul, and because literature has a lofty place and great awe, she feared to encroach upon it or push herself into a fix, from which she would not have salvation.
After secondary school, the period of her exile from her shining childhood started. The snowy rooms of her university studies robbed her of the fire of her activity, and consequently, the responsibilities of marriage, family and her teaching job occupied her, and her main role became exclusive to a new stage - building another lovable world to her, which is far from her and very close to her- the family in its whole large responsibility, and at the same time, and under the fascination of motherhood, a crazy passion for giving grew in her, despite the tenderness and cruelty of life; the incense of memories was filled with her pride, and saturated her with the perfume of the fleeing childhood.
Between the eyelashes of her days and the pillows of her nights, Amal toured in the depth of a barrenness that has no borders of emptiness; once she is taken by a nap of lethargy in exploring the past, and once she wakes up from the amazed shell of her feelings; soon the age-old gap between the I, the other, and the universe; between the buffoonery of loss that roars disturbance and the unquenched flaming cups of the inns of sins, while homeland is lying in sighs of pain that squeeze a hope from the orchards of the impossible!
The bitter sweetness of the transparency of reality nor did the festivals of life succeed in crucifying her on the pillars of the theatres and stadia of life; she silently and quietly took refuge in the cave of the alphabet, and secluded herself in it like a hermit, possessed by the magic of meditation, where she could select meteors of letters that sparkle with ripeness, and that were about to fall accidentally into the crematory of pain, or the temptations of the roads were likely to throw burning pebbles at her, but she tried to pick with the fingers of her imagination those stinging and burning letters in order to wet the passion of her tattooed aspirations with a sobbing of salvation that might come!
The gleams of faith waved in the purity of her souls frequently, clamouring with seasons of penetration and faces of beauty into a warm future; her breaths inscribed her an engraved and coded sigh onto a gravestone of a lifetime that chases her and escapes in her wakefulness, paying no attention to a side-glance that is crowded with sorrow.
"The Magic of Words" is my borrowed Oldman, the shepherd of my postponed waiting at the mouth of his green cave, guarding by his amulets and torches the arbors of my orchards when the vine leaves of my heart climbed my heart and robbed memory, and my emotional texts, which are accumulated on the shelves of unpicked spaces, and which the clusters of their face lineaments were dissolved onto the plates of innocence through the Net pages, in order to eternalize the wonder of silence that moved like the wind upon the shadows of seasons and lifetime, till a fertile gleam flashed into the laps of a masked cloud from whose gown Amal Awwad drizzled, and since then, Amal's hopes have been sparkling till now with the following works:
1. Basma Lawziyya Tatawahhaj, (Poetry), 2005
2. Salami Laka Mataran, (Poetry), 2007.
3. Rihla ila Unwan Mafqud (Poetry), 2010
4. Adamawzuki wa Tata'ashtarin (Poetry), 2015
5. Ru'a (Essays) 2015.
6. Hatfi Yatarama 'al Hudud Nazfi (Poetry readings in Amal Awwad Radwan (Poetry), 2012
7. Sindyanat Nur Abuna Spiridon Awwad. (Prepared) by Amal Radwan. 2014.
8. Amthal Tarweeha Qissas wa Hakaya. (Prepared) by Amal Radwan
9. al-Ishraqa al-Mujannaha/ Lahzat al-Bayt al-Awwal min al-Qassida: Certificates to 131 poets from the Arab world. (Participation). Introduction by Cherbel Dagher. 2007
10. Nawaris min al-Bahr al-Ba'id al-Qarib. Al-Mashhad al-Shi'ri al-Jadeed fi Falastin al-Muhtalla.
11. Mahmoud Darwish / Surat al-Sha'ir bi 'Uyun Falastiniyya Khadra' 2008.
Books about Amal's poetry:
1. Min A'maq al-Qawl – Qira'ah Naqdiyya fi Shi'r Amaal Awwad Radwan. By Critic: Abd al-Majid Amir Atmizah/ Manshurat Mawaqif.2013.
2. Kitab bi al-Lugha al-Farisiyya: Ba'idan 'an al-Qarib. Beh Dor Az Qaywq. Amal Awwad Radwan. Preparation and Translation by: Kamal al-Nassari. 2014
3. Kitab Istintaq al-Nass al-Shi'ri (Amal Radwan Unmothajan). By Alwan al-Salman. Printed by: al-Jazira, 2105.
• Her poetry has been translated into several languages including: English, Italian, Romanian, French, Persian, and Kurdish.
• Her book Basma Lawziyya Tatawahhaj was translated into French by: Farah Souames, Algeria.
Awards:
2008: She was awarded the title of: The poet of the Year 2008 at Forums that join the group of Poets with no Borders.
2011: She was awarded the Creativity Award in Poetry. Dar Ni'man li al-Thaqafa in its 9th Season.
2001: She was awarded the Shield of Diwan al-'Arab, for writing a large number of articles and high-level literary texts.
2013: She was granted The Woman's Award by Mu'assasat al-Muthaqqaf al-Arabi in Sidney, Australia, for her creative writings in the Press, and her press interviews about Palestine.
Forthcoming Books:
• A book about the cultural scene among the Palestinians of 1948.
• Six books that include reports about the literary scene among Palestinians of 1948.
• The Green Cultural Scene: 48. Cultural Reports. (from 2006-2015).
Current Position: Editor of : alwasattoday:
http://www.alwasattoday.com/ar/culture/11193.html
She fell in love with music and singing; she learned how to play the violin when the fingers of her childhood bloomed on the strings and musical scales. The school songs and hymns dallied with her throat, which chanted with the school chorus till her presence was donned with compulsory absence for years only to reappear in the choral of the Palestinian Jawqat al-Karawan / The Cuckoo Chorus!
Her matured feet fell deeply in love with the heritage of folk dancing; her sea steps had a watery flavor that dance with the shadows of a youth that is filled with elegance in a Dabka folk dancing group, in addition to scout activities and many other activities that fill a soul of a young girl that jumps voraciously to life!
As for the taste of extensive reading and stories and novels, there have been flights of desire that land on her breaths to the level of Sufism and worship since her eyes were connected with the ladders of letter decoding; the hidden pen in her pants and under her pillow has had a clank that talks to her whenever the drizzle of its pulse decreased in its whiteness; it would open its fiery mouth, drawling its magic, as if it urged her to embrace it whenever the places became narrow for it, and whenever it became thirsty to her wine. She would fly with it in the heavens of her floods; when she sobers up, she would tear what she had written and the threads that she has woven out of her passion to erase every trace that allows the other to realize what is boiling in her soul, and because literature has a lofty place and great awe, she feared to encroach upon it or push herself into a fix, from which she would not have salvation.
After secondary school, the period of her exile from her shining childhood started. The snowy rooms of her university studies robbed her of the fire of her activity, and consequently, the responsibilities of marriage, family and her teaching job occupied her, and her main role became exclusive to a new stage - building another lovable world to her, which is far from her and very close to her- the family in its whole large responsibility, and at the same time, and under the fascination of motherhood, a crazy passion for giving grew in her, despite the tenderness and cruelty of life; the incense of memories was filled with her pride, and saturated her with the perfume of the fleeing childhood.
Between the eyelashes of her days and the pillows of her nights, Amal toured in the depth of a barrenness that has no borders of emptiness; once she is taken by a nap of lethargy in exploring the past, and once she wakes up from the amazed shell of her feelings; soon the age-old gap between the I, the other, and the universe; between the buffoonery of loss that roars disturbance and the unquenched flaming cups of the inns of sins, while homeland is lying in sighs of pain that squeeze a hope from the orchards of the impossible!
The bitter sweetness of the transparency of reality nor did the festivals of life succeed in crucifying her on the pillars of the theatres and stadia of life; she silently and quietly took refuge in the cave of the alphabet, and secluded herself in it like a hermit, possessed by the magic of meditation, where she could select meteors of letters that sparkle with ripeness, and that were about to fall accidentally into the crematory of pain, or the temptations of the roads were likely to throw burning pebbles at her, but she tried to pick with the fingers of her imagination those stinging and burning letters in order to wet the passion of her tattooed aspirations with a sobbing of salvation that might come!
The gleams of faith waved in the purity of her souls frequently, clamouring with seasons of penetration and faces of beauty into a warm future; her breaths inscribed her an engraved and coded sigh onto a gravestone of a lifetime that chases her and escapes in her wakefulness, paying no attention to a side-glance that is crowded with sorrow.
"The Magic of Words" is my borrowed Oldman, the shepherd of my postponed waiting at the mouth of his green cave, guarding by his amulets and torches the arbors of my orchards when the vine leaves of my heart climbed my heart and robbed memory, and my emotional texts, which are accumulated on the shelves of unpicked spaces, and which the clusters of their face lineaments were dissolved onto the plates of innocence through the Net pages, in order to eternalize the wonder of silence that moved like the wind upon the shadows of seasons and lifetime, till a fertile gleam flashed into the laps of a masked cloud from whose gown Amal Awwad drizzled, and since then, Amal's hopes have been sparkling till now with the following works:
1. Basma Lawziyya Tatawahhaj, (Poetry), 2005
2. Salami Laka Mataran, (Poetry), 2007.
3. Rihla ila Unwan Mafqud (Poetry), 2010
4. Adamawzuki wa Tata'ashtarin (Poetry), 2015
5. Ru'a (Essays) 2015.
6. Hatfi Yatarama 'al Hudud Nazfi (Poetry readings in Amal Awwad Radwan (Poetry), 2012
7. Sindyanat Nur Abuna Spiridon Awwad. (Prepared) by Amal Radwan. 2014.
8. Amthal Tarweeha Qissas wa Hakaya. (Prepared) by Amal Radwan
9. al-Ishraqa al-Mujannaha/ Lahzat al-Bayt al-Awwal min al-Qassida: Certificates to 131 poets from the Arab world. (Participation). Introduction by Cherbel Dagher. 2007
10. Nawaris min al-Bahr al-Ba'id al-Qarib. Al-Mashhad al-Shi'ri al-Jadeed fi Falastin al-Muhtalla.
11. Mahmoud Darwish / Surat al-Sha'ir bi 'Uyun Falastiniyya Khadra' 2008.
Books about Amal's poetry:
1. Min A'maq al-Qawl – Qira'ah Naqdiyya fi Shi'r Amaal Awwad Radwan. By Critic: Abd al-Majid Amir Atmizah/ Manshurat Mawaqif.2013.
2. Kitab bi al-Lugha al-Farisiyya: Ba'idan 'an al-Qarib. Beh Dor Az Qaywq. Amal Awwad Radwan. Preparation and Translation by: Kamal al-Nassari. 2014
3. Kitab Istintaq al-Nass al-Shi'ri (Amal Radwan Unmothajan). By Alwan al-Salman. Printed by: al-Jazira, 2105.
• Her poetry has been translated into several languages including: English, Italian, Romanian, French, Persian, and Kurdish.
• Her book Basma Lawziyya Tatawahhaj was translated into French by: Farah Souames, Algeria.
Awards:
2008: She was awarded the title of: The poet of the Year 2008 at Forums that join the group of Poets with no Borders.
2011: She was awarded the Creativity Award in Poetry. Dar Ni'man li al-Thaqafa in its 9th Season.
2001: She was awarded the Shield of Diwan al-'Arab, for writing a large number of articles and high-level literary texts.
2013: She was granted The Woman's Award by Mu'assasat al-Muthaqqaf al-Arabi in Sidney, Australia, for her creative writings in the Press, and her press interviews about Palestine.
Forthcoming Books:
• A book about the cultural scene among the Palestinians of 1948.
• Six books that include reports about the literary scene among Palestinians of 1948.
• The Green Cultural Scene: 48. Cultural Reports. (from 2006-2015).
Current Position: Editor of : alwasattoday:
http://www.alwasattoday.com/ar/culture/11193.html
Ų³ŁŲ±Ų©ٌ Ų°Ų§ŲŖŁّŲ©ٌ- Ų¢Ł
Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ ŁŁŲ³Ų·ŁŁ
Ų¢Ł Ų§Ł؛ ŁŁŲ³ŲŖ Ų³ŁŁ Ų·ŁŁŲ©ٍ Ų®Ų¶Ų±Ų§Ų”َ Ų§ŁŲØŲ«ŁŲŖْ Ł ِŁ Ų±Ł Ų§ŲÆِ ŁŲ·Ł Ł Ų³ŁŁŁٍ ŁŁ Ų¹Ų“ٍّ ŁŁŁŁŁŁٍّ Ł ŁŲ° Ų£Ł ŲÆٍ ŲØŲ¹ŁŲÆ!
Ų£ŲŖŲŖْ ŲØŁŲ§ Ų§ŁŲ£ŁŲÆŲ§Ų±ُ، Ų¹ŁŁ Ł ŁŲŁŁ ŁŲŲøŲ©ٍ ŲŖŲŖŁّŁŲÆُ ŲØŲ£ŲŁŲ§Ł ٍ Ł Ų³ŲŖŲŁŁŲ©ٍ، ŁŁ ŁŲ¬ّŲ©ِ Ų¹ŲŖŁ ٍ ŁŲ²ŲÆŁŲ±ُ ŲØŲ§ŁŁ Ų¢Ų³Ł، ŁŁ Ų§ ŁŲŖŲ¦ŲŖْ ŲŖŲŖŲØŲŖŁّŁُ ŁŲŖŲ¹Ų²Łُ ŲØŁŲ§Ł ŲُŲ²ْŁِŁŲ§ Ų§ŁŁ ŲØŲŁŲِ Ų„Ų“Ų±Ų§ŁŲ§ŲŖِŁŲ§ Ų§ŁŲŗŲ§Ų¦Ł Ų©َ، ŁŁ Ų§ Ų§ŁŁŁّŲŖْ ŲŖŲŖŁŲ§ŲÆŁ Ų¹ŁŁ ŲŁŲ§Łِّ ŁŲ·Ų±Ų©ٍ Ł ŁŲÆَّŲ³Ų©ٍ Ł ŁŲ¹Ł Ų©ٍ ŲØŁŲØŲ¶ِ Ų“Ų¹Ų§Ų¹ٍ، Ų£Ų³ْŁ َŁْŁُ "Ų§ŁŲŁŲ§Ų©"!
Ų¹Ų“ŁŲŖِ Ų§ŁŁ ŁŲ³ŁŁŁ ŁŲ§ŁŲŗŁŲ§Ų”، ŁŲŖŲ¹ŁّŁ ŲŖِ Ų§ŁŲ¹Ų²Łَ Ų¹ŁŁ Ų§ŁŁŁ Ų§Łِ Ł ŁŲ° ŲŖŁŲŖّŲŲŖْ Ų£ŁŲ§Ł Łُ Ų·ŁŁŁŲŖِŁŲ§ Ų¹ŁŁ Ų§ŁŲ£ŁŲŖŲ§Ų± ŁŲ³ŁŲ§ŁŁ Ų§ŁŁ ŁŲ³ŁŁŁ، ŁŁŲÆ ŲÆŲ§Ų¹ŲØŲŖْ Ų§ŁŲ£ŁŲ§Ų“ŁŲÆ Ų§ŁŁ ŲÆŲ±Ų³ŁّŲ©ُ ŁŲ§ŁŲŖّŲ±Ų§ŁŁŁ ُ ŲŁŲ¬Ų±ŲŖَŁŲ§، ŁŲµŲÆŲŲŖْ ŁŁ Ų¬ŁŁŲ©ِ Ų§ŁŁ ŲÆŲ±Ų³Ų©ِ، Ų„ŁŁ Ų£Łِ Ų§ŲŖّŲ“Ųَ ŲŲ¶ŁŲ±ُŁŲ§ ŲØŲ§ŁŲŗŁŲ§ŲØِ Ų§ŁŁŲ³Ų±Łّ Ł ŲÆّŲ© Ų³ŁŁŲ§ŲŖ، ŁŲŖŲ¹Ų§ŁŲÆَ ŲøŁŁŲ±َŁŲ§ ŁŁ ŁŁŲ±Ų§Ł "Ų¬ŁŁŲ© Ų§ŁŁŲ±ŁŲ§Ł" Ų§ŁŁŁŲ³Ų·ŁŁŁّŲ©!
ŁŁ Ų¹Ų“ŁŲŖْ Ų£ŁŲÆŲ§Ł ُŁŲ§ Ų§ŁŁ Ų¹ŲŖّŁŲ©ُ ŲØŲ§ŁŲŖّŲ±Ų§Ų«ِ Ų§ŁŲ±ّŁŲµَ Ų§ŁŲ“ّŲ¹ŲØŁّ، ŁŁŲ§Łَ ŁŲ®Ų·ŁŲ§ŲŖِŁŲ§ Ų§ŁŲØŲŲ±ŁّŲ©ِ ŁŁŁŲ©ً Ł Ų§Ų¦ŁّŲ©ً ŲŖŲ±Ų§ŁŲµُ ŲøŁŲ§Łَ Ų“ŲØŲ§ŲØٍ Ų·Ų§ŁŲٍ ŲØŲ§ŁŲ±ّŲ“Ų§ŁŲ©ِ ŁŁ ŁŲ±ŁŲ©ِ ŲÆŲØŁŲ©ٍ Ų“Ų¹ŲØŁّŲ©ٍ، Ų„Ų¶Ų§ŁŲ©ً Ų„ŁŁ ŁŲ“Ų§Ų·Ų§ŲŖٍ ŁŲ“ŁŁّŲ©ٍ ŁŲ£Ų®Ų±Ł Ų¹ŲÆŁŲÆŲ©، ŲŖŲ²Ų®Ų±ُ ŲØŁŲ§ Ų±ŁŲُ ŁŲŖŲ§Ų©ٍ ŲŖŲŖŁŁّŲ²ُ ŁŁŁ ًŲ§ ŁŁŲŁŲ§Ų©!
Ų£Ł ّŲ§ ŁŁ Ų°Ų§Łِ Ų§ŁŁ Ų·Ų§ŁŲ¹Ų©ِ ŁŲ§ŁŁŲµŲµِ ŁŲ§ŁŲ±ّŁŲ§ŁŲ§ŲŖِ ŁŁŲ§ŁَŲŖ Ų£Ų³Ų±Ų§ŲØُ Ų“ŁŁŲ©ٍ؛ ŲŖŲُŲ·ُّ ŁŁŁَ Ų£ŁŁŲ§Ų³ِŁŲ§ ŲŲÆَّ Ų§ŁŲŖّŲµŁّŁِ ŁŲ§ŁŲŖّŲ¹ŲØّŲÆ، Ł ŁŲ°ُ Ų£Ł ŲŖŲ¹ŁّŁŲŖْ Ų¹ŁŁŲ§ŁŲ§ ŲØŲ³ŁŲ§ŁŁ ŁŁِّ Ų§ŁŲŲ±ŁŁِ، ŁŁŲ§Łَ ŁŁŁŁŁ ِ Ų§ŁŁ Ų®ŁŁِّ ŁŁ Ų¬ŁŲØِ Ų³ŲŖŲ±ŲŖِŁŲ§ ŁŲŖŲŲŖَ ŁŲ³Ų§ŲÆŲŖِŁŲ§ ŲµŁŁŁٌ ŁُŁŲ§ŁŁُŁŲ§، ŁŁّŁ Ų§ Ų“Ųَّ Ų±Ų°Ų§Ų°ُ ŁŲØŲ¶ِŁِ ŁŁ ŲØŁŲ§Ų¶ِŁŲ§، ŁŁŁŲŗŲ±ُ ŁŲ§ŁَŁُ Ų§ŁŁّŲ§Ų±Łَّ Ł ُŲŖŲ“ŲÆِّŁًŲ§ ŲØŲ³ِŲŲ±ِŁِ، ŁŲ£ŁّŁ Ų§ ŁŲŲ«ّŁŲ§ ŁŲ§ŲŲŖŲ¶Ų§ŁِŁِ ŁŁّŁ Ų§ Ų¶Ų§ŁŲŖْ ŲØŁِ Ų§ŁŲ£Ł ŁŁŲ©ُ، ŁŁŁّŁ Ų§ ŲŖŲ¹Ų·ّŲ“َ Ų„ŁŁ Ų®Ł ْŲ±ِŁŲ§، ŁŲŖُŲŁّŁُ ŲØŁ ŁŁ Ų³Ł Ų§ŁŲ§ŲŖِ ŁŁŁŲ¶ِŁŲ§، ŁŁ Ų§ Ų£Ł ŲŖŲµŲُŁَ Ł ِŁ Ų³ŁŲ±ŲŖِŁŲ§، ŲŲŖّŁ ŲŖُŁ Ų²ّŁَ Ł Ų§ Ų®Ų·ّŲŖْŁُ ŁŁŲ³Ų¬َŲŖْŁُ Ł ِŁ Ų®ŁŁŲ·ِ ŁŲ¬ْŲÆِŁŲ§، ŁŲŖŁ ŲŁَ ŁŁّ Ų£Ų«Ų±ٍ ŁُŲØŁŲُ ŁŁŲ¢Ų®Ų±َ Ų£Ł ŁُŲÆŲ±Łَ Ł Ų§ ŁŲ¹ŲŖŁ Łُ ŁŁ ŁŁŲ³ِŁŲ§، ŁŁŲ£Łّ Ł ŁŲ§ŁŲ©ً Ų³Ų§Ł ŁŲ©ً ŁŲ£Ų«Ų±ًŲ§ Ų¬Ł ًّŲ§ ŁŁ ŁŲ§ŲØŲ©ً ŁŁŲ£ŲÆŲØ، ŲŖŲ®Ų“Ł Ų£Ł ŲŖŲŖŲ·Ų§ŁŁَ Ų„ŁŁŁِ، Ų£Ł ŲŖُŁŲŁ َ ŁŁŲ³َŁŲ§ ŁŁ ŁŲ±Ų·Ų©ٍ ŁŲ§ Ų®ŁŲ§Ųµَ Ł ŁŁŲ§.
Ł Ų§ ŲØŲ¹ŲÆَ Ų§ŁŁŲŖŲ±Ų©ِ Ų§ŁŲ«ّŲ§ŁŁŁّŲ©ِ ŲŁّŲŖْ Ł Ų±ŲŁŲ©ُ Ł ŁŁŲ§ŁŲ§ Ų¹Ł Ų·ŁŁŁŲŖِŁŲ§ Ų§ŁŲ²ّŲ§ŁŁŲ©ِ، ŲŁŁَ Ų§Ų³ŲŖŁŲØŲŖْŁŲ§ Ł Ų®Ų§ŲÆŲ¹ُ Ų§ŁŲÆّŲ±Ų§Ų³Ų©ِ Ų§ŁŲ¬Ų§Ł Ų¹ŁّŲ©ِ Ų§ŁŲ«ّŁŲ¬ŁّŲ©ِ Ł ِŁ Ų£Ų¬ŁŲ¬ِ ŁŲ“Ų§Ų·Ų§ŲŖِŁŲ§، ŁŁ ِŁ Ų«Ł ّ؛ ŲŖŁ ŁّŁŲŖْŁŲ§ Ł Ų³Ų¤ŁŁŁّŲ§ŲŖُ Ų§ŁŲ²ّŁŲ§Ų¬ِ ŁŲ§ŁŲ£Ų³Ų±Ų©ِ ŁŁ ŁŁŲ© Ų§ŁŲŖّŲÆŲ±ŁŲ³، ŁŲ§ŁŲŖŲµŲ±َ ŲÆŁŲ±ُŁŲ§ Ų§ŁŲ£Ų³Ų§Ų³Łُّ Ų¹ŁŁ Ł Ų±ŲŁŲ©ٍ Ų¬ŲÆŁŲÆŲ©ٍ؛ ŁŁ ŲØŁŲ§Ų”ُ Ų¹Ų§ŁŁ ٍ Ł ŲŲØّŲØٍ Ų¢Ų®Ų± ŲØŲ¹ŁŲÆًŲ§ Ų¹ŁŁŲ§ ŁŲ±ŁŲØًŲ§ Ų¬ŲÆًّŲ§ Ł ŁŁŲ§، Ų§ŁŲ£Ų³Ų±Ų©ُ ŲØŁŲ§Ł Łِ Ł Ų³Ų¤ŁŁŁّŲ§ŲŖِŁŲ§ Ų§ŁŲ¬Ł ّŲ©ِ، ŁŁŁ Ų§ŁŁŁŲŖِ Ų°Ų§ŲŖِŁِ ŁŲØŁŲ¹Ł Ų³ŲŲ± Ų§ŁŲ£Ł ŁŁ Ų©ِ، ŁŁ Ų§ ŁŁ ŁŁŲØِŁŲ§ Ų¹Ų“Łٌ Ų¬ŁŁŁŁٌّ ŁŁŲ¹Ų·Ų§Ų”ِ، Ų±ŲŗŁ َ Ų·Ų±Ų§ŁŲ©ِ Ų§ŁŲŁŲ§Ų©ِ ŁŁŲ³ŁŲŖِŁŲ§، ŁŁŲ§Łَ ŲØŲ®ŁŲ±ُ Ų§ŁŲ°ّŁŲ±ŁŲ§ŲŖِ ŁŲ¹ŲØŁُ ŲØŁŲØŲ±ŁŲ§Ų¦ِŁŲ§، ŁŁُŁ Ų±ّŲŗُŁŲ§ ŲØŲ¹Ų·Ų±ِ Ų§ŁŲ·ّŁŁŁŲ©ِ Ų§ŁŁŲ§Ų±ŲØŲ©ِ!
Ł Ų§ ŲØŁŁَ Ų±Ł ŁŲ“ِ ŁŁŲ§Ų±Ų§ŲŖِŁŲ§ ŁŁŲ³Ų§Ų¦ŲÆِ ŁŁŲ§ŁŁŁŲ§، Ų³Ų§ŲŲŖْ Ų¢Ł Ų§Ł ŁŁ Ų¹ُŁ Łِ ŲØُŁŲ§Ų±ٍ ŁŲ§ ŁَŲŲÆُّŁُ Ų®ŁŲ§Ų”، ŲŖŲ§Ų±Ų©ً، ŲŖŲ£Ų®Ų°ُŁŲ§ Ų³ŁّŲ©ٌ Ł ِŁ Ų³ŲØŲ§ŲŖٍ ŁŁ Ų§Ų³ŲŖŲ³ŁŲ§Ų”ِ Ų§ŁŁ Ų§Ų¶Ł، ŁŲŖŲ§Ų±Ų©ً، ŲŖŲ³ŲŖŁŁŁُ Ł ِŁ ŁŁŁŲ¹Ų©ِ Ų£ŲŲ§Ų³ŁŲ³ِŁŲ§ Ų§ŁŲ°ّŲ§ŁŁŲ©ِ، ŲŁŁَ ŲŖŁŲ²ُّŁŲ§ Ų§ŁŁŲ¬ŁŲ©ُ Ų§ŁŲÆّŁŲ±ŁّŲ©ُ ŲØŁŁَ Ų§ŁŲ£ŁŲ§ ŁŲ§ŁŲ¢Ų®Ų± ŁŲ§ŁŁŁŁ، ŁŲØŁŁَ Ł Ų¬ŁŁِ Ų§ŁŲ¶ّŁŲ§Ų¹ِ Ų§ŁŁ ُŲ²Ł Ų¬Ų±ِ ŁŲŖŁŲ©ً، ŁŲØŁŁَ ŲŲ§ŁŲ§ŲŖِ Ų§ŁŲ®Ų·Ų§ŁŲ§ Ų§ŁŁ Ų“ŲŖŲ¹ŁŲ© ŁŲ¤ŁŲ³ُŁŲ§ ŲØŁŲ§ Ų§Ų±ŲŖŁŲ§Ų”، ŁŲ§ŁŁŲ·Łُ ŁŲ±ŲŖŲ¹ُ ŁŁ Ų“ŁŁŲ§ŲŖِ Ų£ŁŁ ٍ ŲŖŲ¹ŲŖŲµŲ±ُ Ų£Ł ŁŲ§ً Ł ِŁ ŁŲ±ŁŁ ِ Ų§ŁŁ Ų³ŲŖŲŁŁ!
ŁŁ ŲŖŁŁŲْ Ų“ŁŲ§ŁŁّŲ©ُ Ų§ŁŁŲ§ŁŲ¹ِ Ų§ŁŁ ُŲ±ّ ŲŁŁُŁُ، ŁŁŲ§ Ł ŁŲ±Ų¬Ų§ŁŲ§ŲŖُ Ų§ŁŲŁŲ§Ų©ِ Ł ِŁ ŲµَŁŲØِŁŲ§ Ų¹ŁŁ Ų£Ų¹Ł ŲÆŲ©ِ Ł ŲÆŲ±ّŲ¬Ų§ŲŖِ ŁŁ Ų³Ų§Ų±Ųِ Ų§ŁŲŁŲ§Ų©ِ، ŲØŁ Ų§ŁŲŖŲ¬Ų£ŲŖ ŲØŲµŁ ŲŖٍ ŁŁŲÆŁŲ”ٍ Ų„ŁŁ ŁŁŁِ Ų§ŁŲ£ŲØŲ¬ŲÆŁّŲ©ِ، ŁŲ§Ų¹ŲŖŁŁŲŖْ ŁŁŁِ ŁŁŲ§Ų³ŁŲ©ٍ ŲŖŲŲŖŲ±ŁُŁŲ§ ŁŲŖŁŲ©َ Ų§ŁŲŖŁّŲ£Ł ŁّŁِ، ŲŁŲ«ُ ŲŖŲµŲ·ŁŁ ŁŁŲ§Ų²Łَ ŲŲ±ŁŁٍ Ł ŲŖŁŲ£ŁŲ¦Ų©ٍ ŲØŲ§ŁŁّŲ¶ŁŲ¬، ŁŲ§ŲÆŲŖْ ŲŖŲ³ŁŲ·ُ Ų³ŁŁًŲ§ ŁŁ Ł ŲŲ±ŁŲ©ِ Ų§ŁŲ£ŁŁ ِ، Ų£Ł ŁŲ§ŲÆŲŖْ ŲŖŲ±Ų¬ُŁ ŁŲ§ Ų„ŲŗŁŲ§Ų”Ų§ŲŖُ Ų§ŁŲÆّŲ±ŁŲØِ ŲØŲŲµًŁ ŁŲŖŲ¬Ł ّŲ±، ŁŁŁّŁŲ§ ŲŲ§ŁŁŲŖْ Ų£Ł ŲŖŁŲŖŁŲ·َ ŲØŲ£ŁŲ§Ł Łِ Ų®ŁŲ§ŁِŁŲ§ ŲŖŁŁ Ų§ŁŲŲ±ŁŁَ Ų§ŁŁŲ§ّŲ³Ų¹Ų©َ Ų§ŁŁŲ§ŁŁŲ©َ، ŁŁ ŲŖŲ±Ų·ّŲØَ ŁŲ¬ŲÆَ Ų¢Ł Ų§ŁِŁŲ§ Ų§ŁŁ ŁŲ“ŁŁ Ų©ِ ŲØŁŲ“ŁŲ¬ِ Ų®ŁŲ§Ųµٍ ŁŲÆ ŁŲ£ŲŖŁ!
ŁŁ ŲŖŁ Ų§ŁŲ¬ŲŖْ ŁŁ Ų·ُŁŲ±ِ Ų±ŁŲِŁŲ§ Ų“Ų¹Ų§Ų¹Ų§ŲŖُ Ų„ŁŁ Ų§Łٍ، ŲµŲ§Ų®ŲØŲ© ŲØŁŲµŁŁِ Ų§ŁŲŖّŁŲŗّŁِ ŁŲØŁŲ¬ŁŁ Ų§ŁŲ¬Ł Ų§Ł ŁŁ ŲŗŲÆٍ ŲÆŲ§ŁŲ¦ٍ، ŁŁŁ ŁŁŲ“َŲŖْŁŲ§ Ų£ŁŁŲ§Ų³ُŁŲ§ ŲŖŁŁŁŲÆŲ©ً Ł ŁŲŁŲŖŲ©ً ŁŁ ُŲ“ŁّŲ±Ų©ً، Ų¹ŁŁ Ų“Ų§ŁŲÆŲ©ِ Ų¹Ł Ų±ٍ ŁŁŲ§ŲŁُŁŲ§، ŁŁُŁŁّŁ ŁŁ ŲµŲْŁŲŖِŁِ، ŁŁŲ§ ŁŁŁŁ Ų¹ŁŁ Ų§ŁŲŖŁŲ§ŲŖŲ©ٍ ŲŖŁŲŖŲøُّ ŲØŲ§ŁŲŲ³Ų±Ų©!
"Ų³ŲŲ± Ų§ŁŁŁŁ Ų§ŲŖ" ŁŁ Ų¹Ų¬ŁŲ²Ł Ų§ŁŁ Ų³ŲŖŲ¹Ų§Ų±ُ، ŁŲ±Ų§Ų¹Ł Ų§ŁŲŖŲøŲ§Ų±Ų§ŲŖŁ Ų§ŁŁ Ų¤Ų¬ّŁŲ©ِ ŲØŁŁّŁŲ©ِ Ł ŲŗŲ§Ų±ŲŖِŁِ Ų§ŁŲ®Ų¶Ų±Ų§Ų”، ŁŲŲ±Ų³ُ ŲØŲŖŁ Ų§Ų¦Ł ِŁِ ŁŁ Ų“Ų§Ų¹ŁِŁِ Ų¹Ų±Ų§Ų¦Ų“َ ŁŲ±ŁŁ Ł، Ų¹ŁŲÆŁ Ų§ ŲŖŲ³ŁّŁŲŖْ Ų¹ŁŁŁŲ§ ŲÆŁŲ§ŁŁ ŁŁŲØŁ ŁŲ°Ų§ŁŲ±ŲŖŁ Ų§ŁŁ ŁŁŁŲØŲ©ُ، ŁŁŲµŁŲµŁ Ų§ŁŁŲ¬ŲÆŲ§ŁŁّŲ©ُ Ų§ŁŁ ŁŲÆّŲ³Ų©ُ Ų¹ŁŁ Ų±ŁŁŁِ ŁŲ³ŲŲ§ŲŖٍ ŲŖŲ¹Ų°ّŲ±َ Ų§ŁŲŖŁŲ§Ų·ُŁŲ§، ŁŲØŲ¹Ų“ŁŲ§Ų¦ŁّŲ©ٍ ŁŲ°ŁŲ°Ų©ٍ Ų§ŁŁŲ±Ų·ŲŖْ ŁŲ·ŁŁُ Ų£Ų³Ų§Ų±ŁŲ±ِŁŲ§ Ų¹ŁŁ Ų£Ų·ŲØŲ§Łِ Ų§ŁŲØŲ±Ų§Ų”Ų© Ų¹ŲØْŲ±َ ŲµŁŲŲ§ŲŖِ Ų§ŁŁّŲŖ، ŁŲŖŲ¤ŲØّŲÆَ ŲÆŁŲ“Ų©َ ŲµŁ ŲŖٍ Ų¹ŲØَŲ±َŲŖْ ŁŲ§ŁŲ±ّŁŲ، ŁŁŁَ ŲøŁŲ§Łِ Ų§ŁŁŲµŁŁِ ŁŲ§ŁŲ¹Ł Ų±، Ų„ŁŁ Ų£Łْ ŁŲ§ŁŲŖْ ŁŁ Ų¶Ų©ٌ Ł Ų®ŲµّŲØŲ©ٌ ŲØŲ£ŲŲ¶Ų§Łِ Ų³ŲŲ§ŲØŲ©ٍ Ł ŲŖŁŁِّŲ±Ų©ٍ، ŲŖŲ±Ų§Ų°Ų°ŲŖْ Ł Ł Ų¬ŁŲØŲ§ŲØِŁŲ§ "Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł"، ŁŁ ŁŲ°ُŁŲ§، ŁŲ¢Ł Ų§Ł ŁŁ ّŲ§ ŲŖŲ²Ł Ų¢Ł Ų§ŁُŁŲ§ ŲŲŖّŁ Ų§ŁŁّŲŲøŲ© ŲŖŲŖŁŲ£ŁŲ£ُ ŲØŁ :
*1- ŲØŲ³Ł Ų©ٌ ŁŁŲ²ŁّŲ©ٌ ŲŖŲŖŁŁّŲ¬/ ŁŲŖŲ§ŲØ Ų“Ų¹Ų±Łّ/ Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2005.
*2- Ų³ŁŲ§Ł Ł ŁŁ Ł Ų·Ų±ًŲ§/ ŁŲŖŲ§ŲØ Ų“Ų¹Ų±Łّ/ Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/Ų¹Ų§Ł 2007.
*3- Ų±ŲŁŲ©ٌ Ų„ŁŁ Ų¹ŁŁŲ§Łٍ Ł ŁŁŁŲÆ/ ŁŲŖŲ§ŲØ Ų“Ų¹Ų±Łّ/ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2010.
*4- Ų£ُŲÆَŁ ْŁِŲ²ُŁِ ŁَŲŖَŲŖŲ¹َŁŲ“ْŲŖَŲ±ِŁŁ/ ŁŲŖŲ§ŲØ Ų“Ų¹Ų±Łّ/ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2015.
*5- ŁŲŖŲ§ŲØ Ų±Ų¤Ł/ Ł ŁŲ§ŁŲ§ŲŖٌ Ų§Ų¬ŲŖŁ Ų§Ų¹ŁŲ© Ų«ŁŲ§ŁŁŲ© Ł Ł Ł Ų“Ų§ŁŲÆ Ų§ŁŲŁŲ§Ų©/ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2012.
*6- ŁŲŖŲ§ŲØ "ŲŲŖŁŁ ŁŲŖŲ±Ų§Ł Ł Ų¹ŁŁ ŲŲÆŁŲÆ ŁŲ²ŁŁ"- ŁŲ±Ų§Ų”Ų§ŲŖ Ų“Ų¹Ų±ŁŲ© ŁŁ Ų“Ų¹Ų± Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł 2013.
*7- Ų³ŁŲÆŁŲ§ŁŲ© ŁŁŲ± Ų£ŲØŁŁŲ§ Ų³ŲØŁŲ±ŁŲÆŁŁ Ų¹ŁŲ§ŲÆ/ Ų„Ų¹ŲÆŲ§ŲÆ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2014
*8- Ų£Ł Ų«Ų§Ł ŲŖŲ±ŁŁŁŲ§ ŁŲµŲµ ŁŲŁŲ§ŁŲ§/ Ų„Ų¹ŲÆŲ§ŲÆ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2015
ŁŲØŲ§ŁŁ Ų“Ų§Ų±ŁŲ© ŁŲ§ŁŲŖ Ų§ŁŁŲŖŲØ Ų§ŁŲŖŲ§ŁŁŲ©:
*9- Ų§ŁŲ„Ų“Ų±Ų§ŁŲ©ُ Ų§ŁŁ ُŲ¬ŁّŲŲ©ُ/ ŁŲŲøŲ© Ų§ŁŲØŁŲŖ Ų§ŁŲ£ŁّŁ Ł Ł Ų§ŁŁŲµŁŲÆŲ©/ Ų“ŁŲ§ŲÆŲ§ŲŖ ŁŁ 131 Ų“Ų§Ų¹Ų± Ł Ł Ų§ŁŲ¹Ų§ŁŁ Ų§ŁŲ¹Ų±ŲØŁّ/
ŲŖŁŲÆŁŁ ŲÆ. Ų“Ų§Ų±ŲØŁ ŲÆŲ§ŲŗŲ±/ Ų¹Ų§Ł 2007
*10- ŁŁŲ§Ų±Ų³ Ł ِŁ Ų§ŁŲØŲŲ± Ų§ŁŲØŲ¹ŁŲÆ Ų§ŁŁŲ±ŁŲØ/ Ų§ŁŁ Ų“ŁŲÆ Ų§ŁŲ“ّŲ¹Ų±Łّ Ų§ŁŲ¬ŲÆŁŲÆ ŁŁ ŁŁŲ³Ų·ŁŁ Ų§ŁŁ ŲŲŖŁŲ© 1948/ Ų¹Ų§Ł 2008
*11- Ł ŲŁ ŁŲÆ ŲÆŲ±ŁŁŲ“/ ŲµŁŲ±Ų© Ų§ŁŲ“ّŲ§Ų¹Ų± ŲØŲ¹ŁŁŁ ŁŁŲ³Ų·ŁŁŁŲ© Ų®Ų¶Ų±Ų§Ų” Ų¹Ų§Ł 2008
ŲµŲÆŲ±َ Ų¹Ł Ų“Ų¹Ų±ŁŲ§ Ų§ŁŁŲŖŲØ Ų§ŁŲŖŲ§ŁŁŲ©:
*1- Ł Ł Ų£Ų¹Ł Ų§Ł Ų§ŁŁŁŁ- ŁŲ±Ų§Ų”Ų© ŁŁŲÆŁŲ© ŁŁ Ų“Ų¹Ų± Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł- Ų§ŁŁŲ§ŁŲÆ: Ų¹ŲØŲÆ Ų§ŁŁ Ų¬ŁŲÆ Ų¹Ų§Ł Ų± Ų§Ų·Ł ŁŲ²Ų©/ Ł ŁŲ“ŁŲ±Ų§ŲŖ Ł ŁŲ§ŁŁ- Ų¹Ų§Ł 2013.
*2- ŁŲŖŲ§ŲØ ŲØŲ§ŁŁŲŗŲ© Ų§ŁŁŲ§Ų±Ų³ŁŲ©: ŲØَŲ¹ِŁŲÆًŲ§ Ų¹َŁِ Ų§ŁْŁَŲ§Ų±ِŲØِ/ ŲØŁ ŲÆŁŲ± Ų§Ų² ŁŲ§ŁŁ/ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų„Ų¹ŲÆŲ§ŲÆ ŁŲŖŲ±Ų¬Ł Ų© Ų¬َŁ َŲ§Ł Ų§ŁŁŲµŲ§Ų±Ł/ Ų¹Ų§Ł 2014
*3- ŁŲŖŲ§ŲØ Ų§Ų³ŲŖŁŲ·Ų§Ł Ų§ŁŁŲµ Ų§ŁŲ“Ų¹Ų±Ł (Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł Ų£ŁŁ ŁŲ°Ų¬ًŲ§)- Ų§ŁŁ Ų¤ŁŁ:Ų¹ŁŁŲ§Ł Ų§ŁŲ³ŁŁ Ų§Ł Ų§ŁŁ Ų·ŲØŲ¹Ų©: Ų§ŁŲ¬Ų²ŁŲ±Ų©- 2015
Ų„Ų¶Ų§ŁŲ© Ų„ŁŁ ŲŖŲ±Ų§Ų¬Ł ŁŲ«ŁŲ±Ų© ŁŁŲµŲ§Ų¦ŲÆŁŲ§ ŲØŲ§ŁŁŲŗŲ© Ų§ŁŲ„ŁŲ¬ŁŁŲ²ŁŲ© ŁŲ§ŁŲ·ŁŁŲ§ŁŁŲ© ŁŲ§ŁŲ±ŁŁ Ų§ŁŁّŲ© ŁŲ§ŁŁŲ±ŁŲ³ŁŲ© ŁŲ§ŁŁŲ§Ų±Ų³ŁŲ© ŁŲ§ŁŁŲ±ŲÆŁّŲ©.
*Ł ŲŲ±Ų±Ų© Ų§ŁŁŲ³Ų· Ų§ŁŁŁŁ Ų§ŁŲ«ŁŲ§ŁŁ Ų§ŁŲ“Ų§Ų¹Ų±Ų© Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł
http://www.alwasattoday.com/ar/culture/11193.html
Ų§ŁŲ¬ŁŲ§Ų¦Ų²:
*Ų¹Ų§Ł 2008 ŲŲ§Ų²ŲŖ Ų¹ŁŁ ŁŁŲØ Ų“Ų§Ų¹Ų± Ų§ŁŲ¹Ų§Ł 2008 ŁŁ Ł ŁŲŖŲÆŁŲ§ŲŖ ŲŖŲ¬Ł Ų¹ Ų“Ų¹Ų±Ų§Ų” ŲØŁŲ§ ŲŲÆŁŲÆ.
*Ų¹Ų§Ł 2011 ŲŲ§Ų²ŲŖ Ų¹ŁŁ Ų¬Ų§Ų¦Ų²Ų© Ų§ŁŲ„ŲØŲÆŲ§Ų¹ ŁŁ Ų§ŁŲ“Ų¹Ų±، Ł Ł ŲÆŲ§Ų± ŁŲ¹Ł Ų§Ł ŁŁŲ«ŁŲ§ŁŲ©، ŁŁ ŁŲ·Ų§Ł Ł ŁŲ³Ł ŁŲ§ Ų§ŁŲŖŲ§Ų³Ų¹.
*Ų¹Ų§Ł 2011 ŲŲ§Ų²ŲŖ Ų¹ŁŁ ŲÆŲ±Ų¹ ŲÆŁŁŲ§Ł Ų§ŁŲ¹Ų±ŲØ، ŲŁŲ« ŁŲÆŁ ŲŖ Ų§ŁŁŲ«ŁŲ± Ł Ł Ų§ŁŁ ŁŲ§ŁŲ§ŲŖ ŁŲ§ŁŁŲµŁŲµ Ų§ŁŲ£ŲÆŲØŁŲ© Ų§ŁŲ±Ų§ŁŁŲ©.
*ŁŲ¹Ų§Ł 2013 Ł ŁŲŲŖ Ł Ų¤Ų³Ų³Ų© Ų§ŁŁ Ų«ŁŁ Ų§ŁŲ¹Ų±ŲØŁ ŁŁ Ų³ŁŲÆŁŁ Ų§ŁŲ“Ų§Ų¹Ų±Ų© Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł Ų¬Ų§Ų¦Ų²Ų© Ų§ŁŁ Ų±Ų£Ų© ŁŁ ŁŲ§Ų³ŲØŲ© ŁŁŁ Ų§ŁŁ Ų±Ų£Ų© Ų§ŁŲ¹Ų§ŁŁ Ł 2013 ŁŲ§ŲØŲÆŲ§Ų¹Ų§ŲŖŁŲ§ ŁŁ Ų§ŁŲµŲŲ§ŁŲ© ŁŲ§ŁŲŁŲ§Ų±Ų§ŲŖ Ų§ŁŲµŲŁŁŲ© Ų¹Ł ŲÆŁŁŲ© ŁŁŲ³Ų·ŁŁ.
ŁŲØŲµŲÆŲÆ Ų·ŲØŲ§Ų¹Ų© ŁŲŖŲØ Ų¬Ų§ŁŲ²Ų©:
*ŁŲŖŲ§ŲØ (ŲØŲ³Ł Ų© ŁŁŲ²ŁّŲ© ŲŖŲŖŁŁّŲ¬) Ł ُŲŖŲ±Ų¬َŁ ŁŁŲŗŲ© Ų§ŁŁŲ±ŁŲ³ŁّŲ©/ ŲŖŲ±Ų¬Ł Ų© ŁŲ±Ų Ų³ŁŲ§Ł Ų³ Ų§ŁŲ¬Ų²Ų§Ų¦Ų±
*ŁŲŖŲ§ŲØ Ų®Ų§Ųµ ŲØŲ§ŁŲŁŲ§Ų±Ų§ŲŖ/ ŁŲ³ŲŖŲ© ŁŲŖŲØ Ų®Ų§ŲµŲ© ŲØŲ§ŁŲŖŁŲ§Ų±ŁŲ± Ų§ŁŲ«ŁŲ§ŁŁŲ© ŲŁŁ Ų§ŁŁ Ų“ŁŲÆ Ų§ŁŲ«ŁŲ§ŁŁ ŁŁ Ų§ŁŲÆŲ§Ų®Ł
*Ų³ŲŖŲ© ŁŲŖŲØ (ŲŖŁŲ§Ų±ŁŲ± Ų«ŁŲ§ŁŁّŲ©) ŲŁŁ Ų§ŁŁ Ų“ŁŲÆ Ų§ŁŲ«ŁŲ§ŁŁ Ų§ŁŲ£Ų®Ų¶Ų± 48: Ł Ł Ų¹Ų§Ł 2006 ŲŲŖŁ Ų¹Ų§Ł 2015
Ų¢Ł Ų§Ł؛ ŁŁŲ³ŲŖ Ų³ŁŁ Ų·ŁŁŲ©ٍ Ų®Ų¶Ų±Ų§Ų”َ Ų§ŁŲØŲ«ŁŲŖْ Ł ِŁ Ų±Ł Ų§ŲÆِ ŁŲ·Ł Ł Ų³ŁŁŁٍ ŁŁ Ų¹Ų“ٍّ ŁŁŁŁŁŁٍّ Ł ŁŲ° Ų£Ł ŲÆٍ ŲØŲ¹ŁŲÆ!
Ų£ŲŖŲŖْ ŲØŁŲ§ Ų§ŁŲ£ŁŲÆŲ§Ų±ُ، Ų¹ŁŁ Ł ŁŲŁŁ ŁŲŲøŲ©ٍ ŲŖŲŖŁّŁŲÆُ ŲØŲ£ŲŁŲ§Ł ٍ Ł Ų³ŲŖŲŁŁŲ©ٍ، ŁŁ ŁŲ¬ّŲ©ِ Ų¹ŲŖŁ ٍ ŁŲ²ŲÆŁŲ±ُ ŲØŲ§ŁŁ Ų¢Ų³Ł، ŁŁ Ų§ ŁŲŖŲ¦ŲŖْ ŲŖŲŖŲØŲŖŁّŁُ ŁŲŖŲ¹Ų²Łُ ŲØŁŲ§Ł ŲُŲ²ْŁِŁŲ§ Ų§ŁŁ ŲØŲŁŲِ Ų„Ų“Ų±Ų§ŁŲ§ŲŖِŁŲ§ Ų§ŁŲŗŲ§Ų¦Ł Ų©َ، ŁŁ Ų§ Ų§ŁŁŁّŲŖْ ŲŖŲŖŁŲ§ŲÆŁ Ų¹ŁŁ ŲŁŲ§Łِّ ŁŲ·Ų±Ų©ٍ Ł ŁŲÆَّŲ³Ų©ٍ Ł ŁŲ¹Ł Ų©ٍ ŲØŁŲØŲ¶ِ Ų“Ų¹Ų§Ų¹ٍ، Ų£Ų³ْŁ َŁْŁُ "Ų§ŁŲŁŲ§Ų©"!
Ų¹Ų“ŁŲŖِ Ų§ŁŁ ŁŲ³ŁŁŁ ŁŲ§ŁŲŗŁŲ§Ų”، ŁŲŖŲ¹ŁّŁ ŲŖِ Ų§ŁŲ¹Ų²Łَ Ų¹ŁŁ Ų§ŁŁŁ Ų§Łِ Ł ŁŲ° ŲŖŁŲŖّŲŲŖْ Ų£ŁŲ§Ł Łُ Ų·ŁŁŁŲŖِŁŲ§ Ų¹ŁŁ Ų§ŁŲ£ŁŲŖŲ§Ų± ŁŲ³ŁŲ§ŁŁ Ų§ŁŁ ŁŲ³ŁŁŁ، ŁŁŲÆ ŲÆŲ§Ų¹ŲØŲŖْ Ų§ŁŲ£ŁŲ§Ų“ŁŲÆ Ų§ŁŁ ŲÆŲ±Ų³ŁّŲ©ُ ŁŲ§ŁŲŖّŲ±Ų§ŁŁŁ ُ ŲŁŲ¬Ų±ŲŖَŁŲ§، ŁŲµŲÆŲŲŖْ ŁŁ Ų¬ŁŁŲ©ِ Ų§ŁŁ ŲÆŲ±Ų³Ų©ِ، Ų„ŁŁ Ų£Łِ Ų§ŲŖّŲ“Ųَ ŲŲ¶ŁŲ±ُŁŲ§ ŲØŲ§ŁŲŗŁŲ§ŲØِ Ų§ŁŁŲ³Ų±Łّ Ł ŲÆّŲ© Ų³ŁŁŲ§ŲŖ، ŁŲŖŲ¹Ų§ŁŲÆَ ŲøŁŁŲ±َŁŲ§ ŁŁ ŁŁŲ±Ų§Ł "Ų¬ŁŁŲ© Ų§ŁŁŲ±ŁŲ§Ł" Ų§ŁŁŁŲ³Ų·ŁŁŁّŲ©!
ŁŁ Ų¹Ų“ŁŲŖْ Ų£ŁŲÆŲ§Ł ُŁŲ§ Ų§ŁŁ Ų¹ŲŖّŁŲ©ُ ŲØŲ§ŁŲŖّŲ±Ų§Ų«ِ Ų§ŁŲ±ّŁŲµَ Ų§ŁŲ“ّŲ¹ŲØŁّ، ŁŁŲ§Łَ ŁŲ®Ų·ŁŲ§ŲŖِŁŲ§ Ų§ŁŲØŲŲ±ŁّŲ©ِ ŁŁŁŲ©ً Ł Ų§Ų¦ŁّŲ©ً ŲŖŲ±Ų§ŁŲµُ ŲøŁŲ§Łَ Ų“ŲØŲ§ŲØٍ Ų·Ų§ŁŲٍ ŲØŲ§ŁŲ±ّŲ“Ų§ŁŲ©ِ ŁŁ ŁŲ±ŁŲ©ِ ŲÆŲØŁŲ©ٍ Ų“Ų¹ŲØŁّŲ©ٍ، Ų„Ų¶Ų§ŁŲ©ً Ų„ŁŁ ŁŲ“Ų§Ų·Ų§ŲŖٍ ŁŲ“ŁŁّŲ©ٍ ŁŲ£Ų®Ų±Ł Ų¹ŲÆŁŲÆŲ©، ŲŖŲ²Ų®Ų±ُ ŲØŁŲ§ Ų±ŁŲُ ŁŲŖŲ§Ų©ٍ ŲŖŲŖŁŁّŲ²ُ ŁŁŁ ًŲ§ ŁŁŲŁŲ§Ų©!
Ų£Ł ّŲ§ ŁŁ Ų°Ų§Łِ Ų§ŁŁ Ų·Ų§ŁŲ¹Ų©ِ ŁŲ§ŁŁŲµŲµِ ŁŲ§ŁŲ±ّŁŲ§ŁŲ§ŲŖِ ŁŁŲ§ŁَŲŖ Ų£Ų³Ų±Ų§ŲØُ Ų“ŁŁŲ©ٍ؛ ŲŖŲُŲ·ُّ ŁŁŁَ Ų£ŁŁŲ§Ų³ِŁŲ§ ŲŲÆَّ Ų§ŁŲŖّŲµŁّŁِ ŁŲ§ŁŲŖّŲ¹ŲØّŲÆ، Ł ŁŲ°ُ Ų£Ł ŲŖŲ¹ŁّŁŲŖْ Ų¹ŁŁŲ§ŁŲ§ ŲØŲ³ŁŲ§ŁŁ ŁŁِّ Ų§ŁŲŲ±ŁŁِ، ŁŁŲ§Łَ ŁŁŁŁŁ ِ Ų§ŁŁ Ų®ŁŁِّ ŁŁ Ų¬ŁŲØِ Ų³ŲŖŲ±ŲŖِŁŲ§ ŁŲŖŲŲŖَ ŁŲ³Ų§ŲÆŲŖِŁŲ§ ŲµŁŁŁٌ ŁُŁŲ§ŁŁُŁŲ§، ŁŁّŁ Ų§ Ų“Ųَّ Ų±Ų°Ų§Ų°ُ ŁŲØŲ¶ِŁِ ŁŁ ŲØŁŲ§Ų¶ِŁŲ§، ŁŁŁŲŗŲ±ُ ŁŲ§ŁَŁُ Ų§ŁŁّŲ§Ų±Łَّ Ł ُŲŖŲ“ŲÆِّŁًŲ§ ŲØŲ³ِŲŲ±ِŁِ، ŁŲ£ŁّŁ Ų§ ŁŲŲ«ّŁŲ§ ŁŲ§ŲŲŖŲ¶Ų§ŁِŁِ ŁŁّŁ Ų§ Ų¶Ų§ŁŲŖْ ŲØŁِ Ų§ŁŲ£Ł ŁŁŲ©ُ، ŁŁŁّŁ Ų§ ŲŖŲ¹Ų·ّŲ“َ Ų„ŁŁ Ų®Ł ْŲ±ِŁŲ§، ŁŲŖُŲŁّŁُ ŲØŁ ŁŁ Ų³Ł Ų§ŁŲ§ŲŖِ ŁŁŁŲ¶ِŁŲ§، ŁŁ Ų§ Ų£Ł ŲŖŲµŲُŁَ Ł ِŁ Ų³ŁŲ±ŲŖِŁŲ§، ŲŲŖّŁ ŲŖُŁ Ų²ّŁَ Ł Ų§ Ų®Ų·ّŲŖْŁُ ŁŁŲ³Ų¬َŲŖْŁُ Ł ِŁ Ų®ŁŁŲ·ِ ŁŲ¬ْŲÆِŁŲ§، ŁŲŖŁ ŲŁَ ŁŁّ Ų£Ų«Ų±ٍ ŁُŲØŁŲُ ŁŁŲ¢Ų®Ų±َ Ų£Ł ŁُŲÆŲ±Łَ Ł Ų§ ŁŲ¹ŲŖŁ Łُ ŁŁ ŁŁŲ³ِŁŲ§، ŁŁŲ£Łّ Ł ŁŲ§ŁŲ©ً Ų³Ų§Ł ŁŲ©ً ŁŲ£Ų«Ų±ًŲ§ Ų¬Ł ًّŲ§ ŁŁ ŁŲ§ŲØŲ©ً ŁŁŲ£ŲÆŲØ، ŲŖŲ®Ų“Ł Ų£Ł ŲŖŲŖŲ·Ų§ŁŁَ Ų„ŁŁŁِ، Ų£Ł ŲŖُŁŲŁ َ ŁŁŲ³َŁŲ§ ŁŁ ŁŲ±Ų·Ų©ٍ ŁŲ§ Ų®ŁŲ§Ųµَ Ł ŁŁŲ§.
Ł Ų§ ŲØŲ¹ŲÆَ Ų§ŁŁŲŖŲ±Ų©ِ Ų§ŁŲ«ّŲ§ŁŁŁّŲ©ِ ŲŁّŲŖْ Ł Ų±ŲŁŲ©ُ Ł ŁŁŲ§ŁŲ§ Ų¹Ł Ų·ŁŁŁŲŖِŁŲ§ Ų§ŁŲ²ّŲ§ŁŁŲ©ِ، ŲŁŁَ Ų§Ų³ŲŖŁŲØŲŖْŁŲ§ Ł Ų®Ų§ŲÆŲ¹ُ Ų§ŁŲÆّŲ±Ų§Ų³Ų©ِ Ų§ŁŲ¬Ų§Ł Ų¹ŁّŲ©ِ Ų§ŁŲ«ّŁŲ¬ŁّŲ©ِ Ł ِŁ Ų£Ų¬ŁŲ¬ِ ŁŲ“Ų§Ų·Ų§ŲŖِŁŲ§، ŁŁ ِŁ Ų«Ł ّ؛ ŲŖŁ ŁّŁŲŖْŁŲ§ Ł Ų³Ų¤ŁŁŁّŲ§ŲŖُ Ų§ŁŲ²ّŁŲ§Ų¬ِ ŁŲ§ŁŲ£Ų³Ų±Ų©ِ ŁŁ ŁŁŲ© Ų§ŁŲŖّŲÆŲ±ŁŲ³، ŁŲ§ŁŲŖŲµŲ±َ ŲÆŁŲ±ُŁŲ§ Ų§ŁŲ£Ų³Ų§Ų³Łُّ Ų¹ŁŁ Ł Ų±ŲŁŲ©ٍ Ų¬ŲÆŁŲÆŲ©ٍ؛ ŁŁ ŲØŁŲ§Ų”ُ Ų¹Ų§ŁŁ ٍ Ł ŲŲØّŲØٍ Ų¢Ų®Ų± ŲØŲ¹ŁŲÆًŲ§ Ų¹ŁŁŲ§ ŁŲ±ŁŲØًŲ§ Ų¬ŲÆًّŲ§ Ł ŁŁŲ§، Ų§ŁŲ£Ų³Ų±Ų©ُ ŲØŁŲ§Ł Łِ Ł Ų³Ų¤ŁŁŁّŲ§ŲŖِŁŲ§ Ų§ŁŲ¬Ł ّŲ©ِ، ŁŁŁ Ų§ŁŁŁŲŖِ Ų°Ų§ŲŖِŁِ ŁŲØŁŲ¹Ł Ų³ŲŲ± Ų§ŁŲ£Ł ŁŁ Ų©ِ، ŁŁ Ų§ ŁŁ ŁŁŲØِŁŲ§ Ų¹Ų“Łٌ Ų¬ŁŁŁŁٌّ ŁŁŲ¹Ų·Ų§Ų”ِ، Ų±ŲŗŁ َ Ų·Ų±Ų§ŁŲ©ِ Ų§ŁŲŁŲ§Ų©ِ ŁŁŲ³ŁŲŖِŁŲ§، ŁŁŲ§Łَ ŲØŲ®ŁŲ±ُ Ų§ŁŲ°ّŁŲ±ŁŲ§ŲŖِ ŁŲ¹ŲØŁُ ŲØŁŲØŲ±ŁŲ§Ų¦ِŁŲ§، ŁŁُŁ Ų±ّŲŗُŁŲ§ ŲØŲ¹Ų·Ų±ِ Ų§ŁŲ·ّŁŁŁŲ©ِ Ų§ŁŁŲ§Ų±ŲØŲ©ِ!
Ł Ų§ ŲØŁŁَ Ų±Ł ŁŲ“ِ ŁŁŲ§Ų±Ų§ŲŖِŁŲ§ ŁŁŲ³Ų§Ų¦ŲÆِ ŁŁŲ§ŁŁŁŲ§، Ų³Ų§ŲŲŖْ Ų¢Ł Ų§Ł ŁŁ Ų¹ُŁ Łِ ŲØُŁŲ§Ų±ٍ ŁŲ§ ŁَŲŲÆُّŁُ Ų®ŁŲ§Ų”، ŲŖŲ§Ų±Ų©ً، ŲŖŲ£Ų®Ų°ُŁŲ§ Ų³ŁّŲ©ٌ Ł ِŁ Ų³ŲØŲ§ŲŖٍ ŁŁ Ų§Ų³ŲŖŲ³ŁŲ§Ų”ِ Ų§ŁŁ Ų§Ų¶Ł، ŁŲŖŲ§Ų±Ų©ً، ŲŖŲ³ŲŖŁŁŁُ Ł ِŁ ŁŁŁŲ¹Ų©ِ Ų£ŲŲ§Ų³ŁŲ³ِŁŲ§ Ų§ŁŲ°ّŲ§ŁŁŲ©ِ، ŲŁŁَ ŲŖŁŲ²ُّŁŲ§ Ų§ŁŁŲ¬ŁŲ©ُ Ų§ŁŲÆّŁŲ±ŁّŲ©ُ ŲØŁŁَ Ų§ŁŲ£ŁŲ§ ŁŲ§ŁŲ¢Ų®Ų± ŁŲ§ŁŁŁŁ، ŁŲØŁŁَ Ł Ų¬ŁŁِ Ų§ŁŲ¶ّŁŲ§Ų¹ِ Ų§ŁŁ ُŲ²Ł Ų¬Ų±ِ ŁŲŖŁŲ©ً، ŁŲØŁŁَ ŲŲ§ŁŲ§ŲŖِ Ų§ŁŲ®Ų·Ų§ŁŲ§ Ų§ŁŁ Ų“ŲŖŲ¹ŁŲ© ŁŲ¤ŁŲ³ُŁŲ§ ŲØŁŲ§ Ų§Ų±ŲŖŁŲ§Ų”، ŁŲ§ŁŁŲ·Łُ ŁŲ±ŲŖŲ¹ُ ŁŁ Ų“ŁŁŲ§ŲŖِ Ų£ŁŁ ٍ ŲŖŲ¹ŲŖŲµŲ±ُ Ų£Ł ŁŲ§ً Ł ِŁ ŁŲ±ŁŁ ِ Ų§ŁŁ Ų³ŲŖŲŁŁ!
ŁŁ ŲŖŁŁŲْ Ų“ŁŲ§ŁŁّŲ©ُ Ų§ŁŁŲ§ŁŲ¹ِ Ų§ŁŁ ُŲ±ّ ŲŁŁُŁُ، ŁŁŲ§ Ł ŁŲ±Ų¬Ų§ŁŲ§ŲŖُ Ų§ŁŲŁŲ§Ų©ِ Ł ِŁ ŲµَŁŲØِŁŲ§ Ų¹ŁŁ Ų£Ų¹Ł ŲÆŲ©ِ Ł ŲÆŲ±ّŲ¬Ų§ŲŖِ ŁŁ Ų³Ų§Ų±Ųِ Ų§ŁŲŁŲ§Ų©ِ، ŲØŁ Ų§ŁŲŖŲ¬Ų£ŲŖ ŲØŲµŁ ŲŖٍ ŁŁŲÆŁŲ”ٍ Ų„ŁŁ ŁŁŁِ Ų§ŁŲ£ŲØŲ¬ŲÆŁّŲ©ِ، ŁŲ§Ų¹ŲŖŁŁŲŖْ ŁŁŁِ ŁŁŲ§Ų³ŁŲ©ٍ ŲŖŲŲŖŲ±ŁُŁŲ§ ŁŲŖŁŲ©َ Ų§ŁŲŖŁّŲ£Ł ŁّŁِ، ŲŁŲ«ُ ŲŖŲµŲ·ŁŁ ŁŁŲ§Ų²Łَ ŲŲ±ŁŁٍ Ł ŲŖŁŲ£ŁŲ¦Ų©ٍ ŲØŲ§ŁŁّŲ¶ŁŲ¬، ŁŲ§ŲÆŲŖْ ŲŖŲ³ŁŲ·ُ Ų³ŁŁًŲ§ ŁŁ Ł ŲŲ±ŁŲ©ِ Ų§ŁŲ£ŁŁ ِ، Ų£Ł ŁŲ§ŲÆŲŖْ ŲŖŲ±Ų¬ُŁ ŁŲ§ Ų„ŲŗŁŲ§Ų”Ų§ŲŖُ Ų§ŁŲÆّŲ±ŁŲØِ ŲØŲŲµًŁ ŁŲŖŲ¬Ł ّŲ±، ŁŁŁّŁŲ§ ŲŲ§ŁŁŲŖْ Ų£Ł ŲŖŁŲŖŁŲ·َ ŲØŲ£ŁŲ§Ł Łِ Ų®ŁŲ§ŁِŁŲ§ ŲŖŁŁ Ų§ŁŲŲ±ŁŁَ Ų§ŁŁŲ§ّŲ³Ų¹Ų©َ Ų§ŁŁŲ§ŁŁŲ©َ، ŁŁ ŲŖŲ±Ų·ّŲØَ ŁŲ¬ŲÆَ Ų¢Ł Ų§ŁِŁŲ§ Ų§ŁŁ ŁŲ“ŁŁ Ų©ِ ŲØŁŲ“ŁŲ¬ِ Ų®ŁŲ§Ųµٍ ŁŲÆ ŁŲ£ŲŖŁ!
ŁŁ ŲŖŁ Ų§ŁŲ¬ŲŖْ ŁŁ Ų·ُŁŲ±ِ Ų±ŁŲِŁŲ§ Ų“Ų¹Ų§Ų¹Ų§ŲŖُ Ų„ŁŁ Ų§Łٍ، ŲµŲ§Ų®ŲØŲ© ŲØŁŲµŁŁِ Ų§ŁŲŖّŁŲŗّŁِ ŁŲØŁŲ¬ŁŁ Ų§ŁŲ¬Ł Ų§Ł ŁŁ ŲŗŲÆٍ ŲÆŲ§ŁŲ¦ٍ، ŁŁŁ ŁŁŲ“َŲŖْŁŲ§ Ų£ŁŁŲ§Ų³ُŁŲ§ ŲŖŁŁŁŲÆŲ©ً Ł ŁŲŁŲŖŲ©ً ŁŁ ُŲ“ŁّŲ±Ų©ً، Ų¹ŁŁ Ų“Ų§ŁŲÆŲ©ِ Ų¹Ł Ų±ٍ ŁŁŲ§ŲŁُŁŲ§، ŁŁُŁŁّŁ ŁŁ ŲµŲْŁŲŖِŁِ، ŁŁŲ§ ŁŁŁŁ Ų¹ŁŁ Ų§ŁŲŖŁŲ§ŲŖŲ©ٍ ŲŖŁŲŖŲøُّ ŲØŲ§ŁŲŲ³Ų±Ų©!
"Ų³ŲŲ± Ų§ŁŁŁŁ Ų§ŲŖ" ŁŁ Ų¹Ų¬ŁŲ²Ł Ų§ŁŁ Ų³ŲŖŲ¹Ų§Ų±ُ، ŁŲ±Ų§Ų¹Ł Ų§ŁŲŖŲøŲ§Ų±Ų§ŲŖŁ Ų§ŁŁ Ų¤Ų¬ّŁŲ©ِ ŲØŁŁّŁŲ©ِ Ł ŲŗŲ§Ų±ŲŖِŁِ Ų§ŁŲ®Ų¶Ų±Ų§Ų”، ŁŲŲ±Ų³ُ ŲØŲŖŁ Ų§Ų¦Ł ِŁِ ŁŁ Ų“Ų§Ų¹ŁِŁِ Ų¹Ų±Ų§Ų¦Ų“َ ŁŲ±ŁŁ Ł، Ų¹ŁŲÆŁ Ų§ ŲŖŲ³ŁّŁŲŖْ Ų¹ŁŁŁŲ§ ŲÆŁŲ§ŁŁ ŁŁŲØŁ ŁŲ°Ų§ŁŲ±ŲŖŁ Ų§ŁŁ ŁŁŁŲØŲ©ُ، ŁŁŲµŁŲµŁ Ų§ŁŁŲ¬ŲÆŲ§ŁŁّŲ©ُ Ų§ŁŁ ŁŲÆّŲ³Ų©ُ Ų¹ŁŁ Ų±ŁŁŁِ ŁŲ³ŲŲ§ŲŖٍ ŲŖŲ¹Ų°ّŲ±َ Ų§ŁŲŖŁŲ§Ų·ُŁŲ§، ŁŲØŲ¹Ų“ŁŲ§Ų¦ŁّŲ©ٍ ŁŲ°ŁŲ°Ų©ٍ Ų§ŁŁŲ±Ų·ŲŖْ ŁŲ·ŁŁُ Ų£Ų³Ų§Ų±ŁŲ±ِŁŲ§ Ų¹ŁŁ Ų£Ų·ŲØŲ§Łِ Ų§ŁŲØŲ±Ų§Ų”Ų© Ų¹ŲØْŲ±َ ŲµŁŲŲ§ŲŖِ Ų§ŁŁّŲŖ، ŁŲŖŲ¤ŲØّŲÆَ ŲÆŁŲ“Ų©َ ŲµŁ ŲŖٍ Ų¹ŲØَŲ±َŲŖْ ŁŲ§ŁŲ±ّŁŲ، ŁŁŁَ ŲøŁŲ§Łِ Ų§ŁŁŲµŁŁِ ŁŲ§ŁŲ¹Ł Ų±، Ų„ŁŁ Ų£Łْ ŁŲ§ŁŲŖْ ŁŁ Ų¶Ų©ٌ Ł Ų®ŲµّŲØŲ©ٌ ŲØŲ£ŲŲ¶Ų§Łِ Ų³ŲŲ§ŲØŲ©ٍ Ł ŲŖŁŁِّŲ±Ų©ٍ، ŲŖŲ±Ų§Ų°Ų°ŲŖْ Ł Ł Ų¬ŁŲØŲ§ŲØِŁŲ§ "Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł"، ŁŁ ŁŲ°ُŁŲ§، ŁŲ¢Ł Ų§Ł ŁŁ ّŲ§ ŲŖŲ²Ł Ų¢Ł Ų§ŁُŁŲ§ ŲŲŖّŁ Ų§ŁŁّŲŲøŲ© ŲŖŲŖŁŲ£ŁŲ£ُ ŲØŁ :
*1- ŲØŲ³Ł Ų©ٌ ŁŁŲ²ŁّŲ©ٌ ŲŖŲŖŁŁّŲ¬/ ŁŲŖŲ§ŲØ Ų“Ų¹Ų±Łّ/ Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2005.
*2- Ų³ŁŲ§Ł Ł ŁŁ Ł Ų·Ų±ًŲ§/ ŁŲŖŲ§ŲØ Ų“Ų¹Ų±Łّ/ Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/Ų¹Ų§Ł 2007.
*3- Ų±ŲŁŲ©ٌ Ų„ŁŁ Ų¹ŁŁŲ§Łٍ Ł ŁŁŁŲÆ/ ŁŲŖŲ§ŲØ Ų“Ų¹Ų±Łّ/ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2010.
*4- Ų£ُŲÆَŁ ْŁِŲ²ُŁِ ŁَŲŖَŲŖŲ¹َŁŲ“ْŲŖَŲ±ِŁŁ/ ŁŲŖŲ§ŲØ Ų“Ų¹Ų±Łّ/ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2015.
*5- ŁŲŖŲ§ŲØ Ų±Ų¤Ł/ Ł ŁŲ§ŁŲ§ŲŖٌ Ų§Ų¬ŲŖŁ Ų§Ų¹ŁŲ© Ų«ŁŲ§ŁŁŲ© Ł Ł Ł Ų“Ų§ŁŲÆ Ų§ŁŲŁŲ§Ų©/ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2012.
*6- ŁŲŖŲ§ŲØ "ŲŲŖŁŁ ŁŲŖŲ±Ų§Ł Ł Ų¹ŁŁ ŲŲÆŁŲÆ ŁŲ²ŁŁ"- ŁŲ±Ų§Ų”Ų§ŲŖ Ų“Ų¹Ų±ŁŲ© ŁŁ Ų“Ų¹Ų± Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł 2013.
*7- Ų³ŁŲÆŁŲ§ŁŲ© ŁŁŲ± Ų£ŲØŁŁŲ§ Ų³ŲØŁŲ±ŁŲÆŁŁ Ų¹ŁŲ§ŲÆ/ Ų„Ų¹ŲÆŲ§ŲÆ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2014
*8- Ų£Ł Ų«Ų§Ł ŲŖŲ±ŁŁŁŲ§ ŁŲµŲµ ŁŲŁŲ§ŁŲ§/ Ų„Ų¹ŲÆŲ§ŲÆ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų¹Ų§Ł 2015
ŁŲØŲ§ŁŁ Ų“Ų§Ų±ŁŲ© ŁŲ§ŁŲŖ Ų§ŁŁŲŖŲØ Ų§ŁŲŖŲ§ŁŁŲ©:
*9- Ų§ŁŲ„Ų“Ų±Ų§ŁŲ©ُ Ų§ŁŁ ُŲ¬ŁّŲŲ©ُ/ ŁŲŲøŲ© Ų§ŁŲØŁŲŖ Ų§ŁŲ£ŁّŁ Ł Ł Ų§ŁŁŲµŁŲÆŲ©/ Ų“ŁŲ§ŲÆŲ§ŲŖ ŁŁ 131 Ų“Ų§Ų¹Ų± Ł Ł Ų§ŁŲ¹Ų§ŁŁ Ų§ŁŲ¹Ų±ŲØŁّ/
ŲŖŁŲÆŁŁ ŲÆ. Ų“Ų§Ų±ŲØŁ ŲÆŲ§ŲŗŲ±/ Ų¹Ų§Ł 2007
*10- ŁŁŲ§Ų±Ų³ Ł ِŁ Ų§ŁŲØŲŲ± Ų§ŁŲØŲ¹ŁŲÆ Ų§ŁŁŲ±ŁŲØ/ Ų§ŁŁ Ų“ŁŲÆ Ų§ŁŲ“ّŲ¹Ų±Łّ Ų§ŁŲ¬ŲÆŁŲÆ ŁŁ ŁŁŲ³Ų·ŁŁ Ų§ŁŁ ŲŲŖŁŲ© 1948/ Ų¹Ų§Ł 2008
*11- Ł ŲŁ ŁŲÆ ŲÆŲ±ŁŁŲ“/ ŲµŁŲ±Ų© Ų§ŁŲ“ّŲ§Ų¹Ų± ŲØŲ¹ŁŁŁ ŁŁŲ³Ų·ŁŁŁŲ© Ų®Ų¶Ų±Ų§Ų” Ų¹Ų§Ł 2008
ŲµŲÆŲ±َ Ų¹Ł Ų“Ų¹Ų±ŁŲ§ Ų§ŁŁŲŖŲØ Ų§ŁŲŖŲ§ŁŁŲ©:
*1- Ł Ł Ų£Ų¹Ł Ų§Ł Ų§ŁŁŁŁ- ŁŲ±Ų§Ų”Ų© ŁŁŲÆŁŲ© ŁŁ Ų“Ų¹Ų± Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł- Ų§ŁŁŲ§ŁŲÆ: Ų¹ŲØŲÆ Ų§ŁŁ Ų¬ŁŲÆ Ų¹Ų§Ł Ų± Ų§Ų·Ł ŁŲ²Ų©/ Ł ŁŲ“ŁŲ±Ų§ŲŖ Ł ŁŲ§ŁŁ- Ų¹Ų§Ł 2013.
*2- ŁŲŖŲ§ŲØ ŲØŲ§ŁŁŲŗŲ© Ų§ŁŁŲ§Ų±Ų³ŁŲ©: ŲØَŲ¹ِŁŲÆًŲ§ Ų¹َŁِ Ų§ŁْŁَŲ§Ų±ِŲØِ/ ŲØŁ ŲÆŁŲ± Ų§Ų² ŁŲ§ŁŁ/ Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł/ Ų„Ų¹ŲÆŲ§ŲÆ ŁŲŖŲ±Ų¬Ł Ų© Ų¬َŁ َŲ§Ł Ų§ŁŁŲµŲ§Ų±Ł/ Ų¹Ų§Ł 2014
*3- ŁŲŖŲ§ŲØ Ų§Ų³ŲŖŁŲ·Ų§Ł Ų§ŁŁŲµ Ų§ŁŲ“Ų¹Ų±Ł (Ų¢Ł Ų§Ł Ų¹ŁّŲ§ŲÆ Ų±Ų¶ŁŲ§Ł Ų£ŁŁ ŁŲ°Ų¬ًŲ§)- Ų§ŁŁ Ų¤ŁŁ:Ų¹ŁŁŲ§Ł Ų§ŁŲ³ŁŁ Ų§Ł Ų§ŁŁ Ų·ŲØŲ¹Ų©: Ų§ŁŲ¬Ų²ŁŲ±Ų©- 2015
Ų„Ų¶Ų§ŁŲ© Ų„ŁŁ ŲŖŲ±Ų§Ų¬Ł ŁŲ«ŁŲ±Ų© ŁŁŲµŲ§Ų¦ŲÆŁŲ§ ŲØŲ§ŁŁŲŗŲ© Ų§ŁŲ„ŁŲ¬ŁŁŲ²ŁŲ© ŁŲ§ŁŲ·ŁŁŲ§ŁŁŲ© ŁŲ§ŁŲ±ŁŁ Ų§ŁŁّŲ© ŁŲ§ŁŁŲ±ŁŲ³ŁŲ© ŁŲ§ŁŁŲ§Ų±Ų³ŁŲ© ŁŲ§ŁŁŲ±ŲÆŁّŲ©.
*Ł ŲŲ±Ų±Ų© Ų§ŁŁŲ³Ų· Ų§ŁŁŁŁ Ų§ŁŲ«ŁŲ§ŁŁ Ų§ŁŲ“Ų§Ų¹Ų±Ų© Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł
http://www.alwasattoday.com/ar/culture/11193.html
Ų§ŁŲ¬ŁŲ§Ų¦Ų²:
*Ų¹Ų§Ł 2008 ŲŲ§Ų²ŲŖ Ų¹ŁŁ ŁŁŲØ Ų“Ų§Ų¹Ų± Ų§ŁŲ¹Ų§Ł 2008 ŁŁ Ł ŁŲŖŲÆŁŲ§ŲŖ ŲŖŲ¬Ł Ų¹ Ų“Ų¹Ų±Ų§Ų” ŲØŁŲ§ ŲŲÆŁŲÆ.
*Ų¹Ų§Ł 2011 ŲŲ§Ų²ŲŖ Ų¹ŁŁ Ų¬Ų§Ų¦Ų²Ų© Ų§ŁŲ„ŲØŲÆŲ§Ų¹ ŁŁ Ų§ŁŲ“Ų¹Ų±، Ł Ł ŲÆŲ§Ų± ŁŲ¹Ł Ų§Ł ŁŁŲ«ŁŲ§ŁŲ©، ŁŁ ŁŲ·Ų§Ł Ł ŁŲ³Ł ŁŲ§ Ų§ŁŲŖŲ§Ų³Ų¹.
*Ų¹Ų§Ł 2011 ŲŲ§Ų²ŲŖ Ų¹ŁŁ ŲÆŲ±Ų¹ ŲÆŁŁŲ§Ł Ų§ŁŲ¹Ų±ŲØ، ŲŁŲ« ŁŲÆŁ ŲŖ Ų§ŁŁŲ«ŁŲ± Ł Ł Ų§ŁŁ ŁŲ§ŁŲ§ŲŖ ŁŲ§ŁŁŲµŁŲµ Ų§ŁŲ£ŲÆŲØŁŲ© Ų§ŁŲ±Ų§ŁŁŲ©.
*ŁŲ¹Ų§Ł 2013 Ł ŁŲŲŖ Ł Ų¤Ų³Ų³Ų© Ų§ŁŁ Ų«ŁŁ Ų§ŁŲ¹Ų±ŲØŁ ŁŁ Ų³ŁŲÆŁŁ Ų§ŁŲ“Ų§Ų¹Ų±Ų© Ų¢Ł Ų§Ł Ų¹ŁŲ§ŲÆ Ų±Ų¶ŁŲ§Ł Ų¬Ų§Ų¦Ų²Ų© Ų§ŁŁ Ų±Ų£Ų© ŁŁ ŁŲ§Ų³ŲØŲ© ŁŁŁ Ų§ŁŁ Ų±Ų£Ų© Ų§ŁŲ¹Ų§ŁŁ Ł 2013 ŁŲ§ŲØŲÆŲ§Ų¹Ų§ŲŖŁŲ§ ŁŁ Ų§ŁŲµŲŲ§ŁŲ© ŁŲ§ŁŲŁŲ§Ų±Ų§ŲŖ Ų§ŁŲµŲŁŁŲ© Ų¹Ł ŲÆŁŁŲ© ŁŁŲ³Ų·ŁŁ.
ŁŲØŲµŲÆŲÆ Ų·ŲØŲ§Ų¹Ų© ŁŲŖŲØ Ų¬Ų§ŁŲ²Ų©:
*ŁŲŖŲ§ŲØ (ŲØŲ³Ł Ų© ŁŁŲ²ŁّŲ© ŲŖŲŖŁŁّŲ¬) Ł ُŲŖŲ±Ų¬َŁ ŁŁŲŗŲ© Ų§ŁŁŲ±ŁŲ³ŁّŲ©/ ŲŖŲ±Ų¬Ł Ų© ŁŲ±Ų Ų³ŁŲ§Ł Ų³ Ų§ŁŲ¬Ų²Ų§Ų¦Ų±
*ŁŲŖŲ§ŲØ Ų®Ų§Ųµ ŲØŲ§ŁŲŁŲ§Ų±Ų§ŲŖ/ ŁŲ³ŲŖŲ© ŁŲŖŲØ Ų®Ų§ŲµŲ© ŲØŲ§ŁŲŖŁŲ§Ų±ŁŲ± Ų§ŁŲ«ŁŲ§ŁŁŲ© ŲŁŁ Ų§ŁŁ Ų“ŁŲÆ Ų§ŁŲ«ŁŲ§ŁŁ ŁŁ Ų§ŁŲÆŲ§Ų®Ł
*Ų³ŲŖŲ© ŁŲŖŲØ (ŲŖŁŲ§Ų±ŁŲ± Ų«ŁŲ§ŁŁّŲ©) ŲŁŁ Ų§ŁŁ Ų“ŁŲÆ Ų§ŁŲ«ŁŲ§ŁŁ Ų§ŁŲ£Ų®Ų¶Ų± 48: Ł Ł Ų¹Ų§Ł 2006 ŲŲŖŁ Ų¹Ų§Ł 2015
0 comments:
Post a Comment